Portland-based artists Sean McGonigal and Joanne Radmilovich Kollman made the New York Times recently. As former occupants in the Troy Laundry Building, they once had working space in what has now become a Portland branch of the exclusive Soho House. According to the article, Soho House positions itself as a creative space and features work … Continue reading Art Log, March 17, 2024: Fancy clubs, vinyl records, new museums and absurd ones.
Tag: Pittsburgh
I found the end of the world and it’s in Pittsburgh
If you went to Carnegie International this year looking for a survey of contemporary artwork and artists, what you encountered is probably not what you expected. What's on view is a mix of commissioned works, found works and historical works, some of it beautiful, most of it disconcerting and altogether quite heavy. It's a tour … Continue reading I found the end of the world and it’s in Pittsburgh
The Remains of a Great Collection — Richard Mellon Scaife’s Paintings at Freeman’s
Upon the 2014 death of Richard Mellon Scaife, a billionaire heir of the Mellon fortune, it was announced that his collection would split into two Pennsylvania museums – Brandywine Conservancy and Museum of Art and the Westmoreland Museum of American Art. Scaife’s taste in art may be as conservative as many of his political views. … Continue reading The Remains of a Great Collection — Richard Mellon Scaife’s Paintings at Freeman’s
Perfume Bottle Soars to $38K at IPBA Event
The recent International Perfume Bottle Association (IPBA) auction featuring Nicholas Dawes of the Antiques Roadshow saw one lot soar to $38,400. That hammer fell on a 1917 Baccarat Egyptian bottle. Other top lots included a rare 1922 Rosine bottle, Antinea ou au Fond e la Mer or bottom of the sea, which sold for $18,000. … Continue reading Perfume Bottle Soars to $38K at IPBA Event
The Journey of Antiquing — The End of Antiques?
The next generation of buyers, living in a virtual world, is more conversant with Instagram or Twitter than TV programs. It is true that there will always be buyers for antiques, high or low; but without a solid base of general interests, dealers will fight an uphill battle of selling slow-moving merchandise on top of incremental show cost