In this episode, we delve into the mystery and allure of John Singer Sargent’s iconic portraits, particularly Hylda, Daughter of Asher and Mrs Wertheimer. We journey through the Tate Museum at closing time, exploring not just the beauty of Sargent’s work but the eerie sense of presence that seems to linger in his paintings. From quiet galleries to the unsettling feeling of being watched, we explore how art can sometimes feel far too alive. Are Sargent’s subjects truly immortalized, or do they haunt the canvas long after the brushstrokes dry? Tune in for a conversation that blurs the line between history and the supernatural.