Thoughts on Crystal Bridges

It’s not a secret among antique dealers that folks in the American South have a better appreciation for American Decorative Arts. I suppose to some extent this may extend to American paintings. I haven’t noticed a tour of American Art before 1880 being offered at the nearby Brooklyn Museum. Although there have been tours of the Dutch houses in the museum, I haven’t noticed a tour being offered of the 19th Century Period Rooms.

Now there’s some speculation that Alice Walton, already the possessor of Durand’s Kindred Spirits, has bought two paintings from the collection of the National Academy. On an emotional level, it’s sad to see them leave New York. From a practical point of view, I’d say a painting on display in Arkansas is better than one stored in New York.

I hope that a new administration will help bring some renewed pride in America and interest in objects and paintings from the first century of our existence. We need the likes of Alice Walton, like Ford, Rockefeller, Hogg and DuPont before her, to breath new life and interest to American Art and Decorative Arts. I hate seeing our great collections of American Art overlooked. Nature hates a vacuum and the vacuum that New York creates, Arkansas fills.


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  1. A Moran’s Pennsylvania Valley Goes To Crystal Bridges | Urban Art and Antiques Avatar

    […] New York art institutes such as the Brooklyn Museum, Guggenheim and the Met all cut their staff, Crystal Bridges of American Art are quietly growing bigger, assembling some of the best American works in a town of approximately […]

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